Once again sorry for the jump cuts! I took a lot of breaks filming this due to the heat. Hopefully it will cool down soon!Facebook ► https://www.facebook.com...

Hey everyone! In this Let's Create we'll be developing physical animations. This allows you to combine that ragdoll style movement from gang beasts with anim...

Matt Parkin is showing how to create the rolling dice using Maya and Unreal Engine 4. Follow Mitt to learn more! Twitter - http://www.twitter.com/PolygonPilg...

A practice of substance painter

Composit real world images or video footage with computer generated imagery just like in the movies - but in real time!

Пятая часть трансляции по Artstation challenge. Работаем над пропсами для локации, добавляем разнообразия в картинку, потихоньку исправляем недоработанные зоны.

Глава компании Epic Games Тим Суини (Tim Sweeney) считает, что магазины мобильных приложений отнимают у разработчиков мобильных игр львиную долю выручки.

Unreal Engine 4.17 brings many new updates to Sequencer, our non-linear cinematics tool. The development team talks about what's new in Sequencer and a few t...

Junliang Zhang talked about his re-lighting exercises, which completely change the look of the awesome environments by Wiktor Öhman and Liam Tart.

Highlighting a wide array of video games in development as well as indispensable community members, today’s Unreal Dev Grants amount to $204,000 in total.

The new Composure engine plugin, a C++ and Blueprint framework designed to make complex real time compositing pipelines with ease, arrived with the release of Unreal Engine 4.17. Our team takes a look at the new Composure Sample Project and breaks down some of its fantastic features. We discuss how it was constructed, how you can get started with compositing in UE4, and the best practices for gathering your content for compositing. We also dive into the new and upcoming documentation efforts for the compositing tools and answer your questions on compositing in UE4.

[00:00:00] Intro/News
[00:02:44] Community Spotlight
[00:07:20] Getting Started with Composure
[01:00:58] Outro

NEWS

Expos for Indies
https://www.unrealengine.com/en-US/blog/expos-for-indies

Unreal Dev Grants Announce
https://www.unrealengine.com/en-US/blog/epic-games-awards-over-200-000-in-new-unreal-dev-grants

COMMUNITY SPOTLIGHT

Hangry Bunnies from Mars
http://store.steampowered.com/app/672910/Hangry_Bunnies_From_Mars/

Boy Sichterman
htt…

A foliage exercise. All foliage created in SpeedTree. Based on the Puzzlewood Forest. ​

Available on the Marketplace: https://www.unrealengine.com/marketplace/interactive-tree-creatorProcedural interactive trees with many dynamic features. See t...

In today's video we take a look at how we can setup a simple character, place it within our scene and make it take damage when it gets hit with our bullet pr...

3d artist Theodor Gerhamn did a detailed breakdown of his fantastic scene, which combines realistic and artistic approach to 3d production.

«Как попасть в игровую индустрию?» - вопрос, который всегда задают абитуриенты, соискатели и просто инициативные геймеры. Долгое время ответ на него был очевиден и лежал на поверхности, но в последние годы имеющиеся рекомендации в интернете всё менее и менее актуальны. Индустрия сильно изменилась, а значит изменился и ответ. Он всё ещё прост, но искать его стоит совсем в другом месте.




Что общего между мультипликацией, античной историей и видеоиграми? 
 


Почему отвращение к мобильным играм не всегда выдаёт латентного разработчика мобильных игр? 
 


Как реализовать идею своей игры, не выдавая её жадным корпорациям?  
 



Ответам на эти не совсем серьёзные и один серьёзный вопрос и будет посвящено мероприятие.

 


О ЛЕКТОРЕ:


Александр Паньков, куратор программы